Weather part of great music booking and mix of vendors and events
The sun and clear skies were two of the stars of the 2015 Willy Street Fair.
Every Willy Street Fair seems like the best, but this one felt extra special. After monsoonal rains pelted southern Wisconsin right up until the early morning hours of Saturday the sky was flawless for the next forty hours.
The weather brought out the crowds and fair organizers Common Wealth Development and Wil-Mar Center presented a smartly programmed event with each music stage featuring great acts without an overloaded schedule.
After high energy world music all afternoon on the Main Stage Saturday, the partnership with the Madison World Music Festival paid off with the Ester Rada, the day’s final performance. Her soaring vocals and funky backing band delighted the crowd which filled Plan B’s parking lot.
At the same time, magic was happening on Brearly Street as Colombian EDM duo Mitu made their Midwestern Debut with style providing transfixing beats that had the crowd pulsating to their music featuring mixers and live percussion.
Landmarks gives owner a year to sell or tie property to Petinary expansion
1018 Williamson (right) is spared from demolition for now. Owner Mike Kohn, who also owns the Petinary (left), wants to convert the property to greenspace.
When Petinary owner Mike Kohn purchased 1018 Williamson in 1992 it was in sorry shape and he planned to tear it down. A year later the City of Madison Landmarks Commission granted him permission to demolish the property but it never happened.
Now 22 years later, after restarting the process, Kohn will have to wait another year to try for a demolition permit. Landmarks has suspended his application for demolition until next fall, a move that one person close to the process says may be nearly unheard of in Madison.
Graffiti mark applied to tree was pathetic attempt at protest
Courtesy: Caffeinated Politics.
The iron tree sculpture that welcomes those traveling eastbound on Williamson to the neighborhood was dedicated Friday (September 12) in a ceremony at Bandung restaurant due to rain.
Named the CommuniTree, the 32-foot tall sculpture stands in the median of Willy street adjacent to Machinery Row and the Gateway Shopping Center.
The tree was erected on August 3, garnering some praise and some comments of disdain; such as describing the tree as akin to a toilet brush, according to the Caffeinated Politics Blog.
In the days before it was dedicated last Friday, someone or several painted a yellow dot on the side of the tree. The dot was likely meant to mimic the City of Madison’s method for identifying trees that need to be removed due to the Emerald Ash Borer.
It was a cloudy start to Sunday but even Mother Nature sensed today was special and the sun emerged as the Willy Street Fair Parade prepared to launch. As it circled through the nine block route in the Marquette neighborhood, the phalanx of fun proved to be one of the largest by way of participants.
Three marching bands at the beginning, middle and end, punctuated appearances by the familiar: stilt walkers, Hoopelation, the circus wheel and the Forward Marching Band; along with new entrants like the Madison Circus Space and the Mustache Beard Wearers Union: Local 608.
Down on Willy Street the thoroughfare filled quickly as temperatures in the middle 60s and possibly a late-afternoon Green Bay Packer kickoff brought people out early. Over 150 vendors filled the curb spaces and the larger presence was notable. The food offerings were diverse and plentiful but the retail booths did not break much new ground.
37th Annual Willy Street Fair to give us one last great summer weekend
Poster by: David Micheal Miller
The final festival of the summer is here and just in time as fall stares at us all from off stage. The Willy Street Fair (September 13-14) is this weekend, heralding the end of a great season of celebrations within the neighborhood.
For 37 years we have gathered along several blocks of Williamson to recognize many things; but mostly the spirit of neighborhood togetherness, action and culture. While the event is a fundraiser for both Common Wealth Development and the Wil-Mar Neighborhood Center, organizer Gary Kallas says the community aspect of the fair has always come first.
“It’s more about community building, it’s more about bringing people together,” said Kallas who is Wil-Mar’s executive director. “I like to think of this as sort of secular spiritualism and it culminates the summer, the Willy Street Fair, with the grand, grand ceremony of em all the Parade on Sunday at 11 a.m.”
The first annual Yum Yum Fest held forth in the newly opened Central Park as members of the Madison Area Chefs Network offered their most creative dishes to attendees. The event was created to highlight the strong connection many Madison restaurants have with local food vendors.
Along with the food were four strong musical acts to entertain the throng on a glorious late summer Sunday afternoon.
Madison chefs to serve creative dishes, share skills
Courtesy: Yum Yum Fest 2014
Some may think Madison is one of the snobbiest cities in the land, but there is one thing we won’t apologize for: the festivals. This city packs an incredible amount of these celebrations in our small window of temperature appropriate weather each year. One more event has been added to the summer lineup with tomorrow’s Yum Yum Fest in Central Park.
Created by the newly formed Madison Area Chefs Network; the festival will highlight the incredible, and nationally recognized, dining options that have emerged here in Madison and their kitchen leaders who have committed to sourcing much of their food locally.
Park continues to triumph over tornados, boulevards and development
Anders Osborn during the 2012 Orton Park Festival.
In its long history, Orton Park has had to survive many threats. In 1924 the City of Madison proposed a boulevard with a 12-foot median that would bisect the park. Proponents argued this would improve traffic flow from King Street to the Eastside following the recently opened Rutledge Street bridge across the Yahara. It seems that this route had become a very popular artery for “far” Eastsiders who wanted to avoid railroad crossings at Williamson Street and Atwood Avenue.
The opposition to that project ninety years ago echoes the same reasons why today’s residents guard the tranquility of Madison’s oldest park: its too popular with children. The festival, begun in the middle 1960s, is in its 49th year and grew out of general neighborhood organizing against various development schemes and for neighborhood strength and cohesion.
In the last days of spring, despite rabid stewardship over the years by park lovers including the Friends of Orton Park, Mother Nature also attempted to remake the land when an EF-1 tornado barreled through the Marquette neighborhood early on June 17. While some trees were lost, the park never lost face with even the fallen trees repurposed in a resourceful way.
Metal sculpture installation on 600 block of Willy is complete
Gateway tree just after installation was completed. Courtesy: Facebook
The long awaited Williamson Gateway Tree, created by metal artist Erica Koivunen with assistance from her husband welder and blacksmith Aaron Howard, began to take shape on the median of the 600 block of Williamson this morning (August 3).
The 32-foot sculpture is a welding tour-de force involved both rough and finite touches from the trunk to the over 200 flowers that will form the canopy. Koivunen even included insects and birds throughout the tree.
The $60,000 tree is one of several signature art projects forwarded by the MNA Arts & Culture Committee with support from several benefactors including the Madison Arts Commission.
Michael Owen paints a gritty, active, energetic version of his signature piece
Michael Owen’s 22nd Baltimore Love Mural adorns the east side of Plan B Nightclub.
It didn’t take long for Artist Michael Owen to transform the beige, moribund east wall of Plan B nightclub into a vibrant Madison version of his Baltimore Love Mural. It took about two and a half days to finish the work which is only the second version of the mural to have color in the background
Deep blue colors, punctuated by reds dashed on top graffiti-style, fill the street end of the wall before they are abruptly halted by an off white background. In the center the iconic black hands that spell “love” give the viewer a breath and respite.
The blue does not hide for long as it slowly grows from below after the first hand, filling each space before exploding past the “E” hand in a joyful dance of colors toward the end of the building.